This book relates Shakespeare's comedies to a broad European background. At the beginning and again at the end of his career, Shakespeare was attracted by a tradition of stage romances which can be traced back to Chaucer's time. But the main shaping behind his comedies came from the classical tradition. Mr Salingar therefore examines the underlying theme of 'errors' in Greek and Roman comedies and, taking three Italian comedies famous in the sixteenth century as examples, he then reveals how.
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